A world class in mint condition. The main motif is an abstraction of “Adamak “(Abstract figure). The successive color change in the field of this kilim has turned it into a quasi-archaic image.
For me, this work is a perfect example of Iranian carpet as an artwork, a masterpiece of color. An image that shows us the degree of freedom and creativity of the weaver of the work. What is produced today in the world as a vintage carpet is exactly an attempt to represent what this kilim has in its essence. The sudden color change of this artwork has put us in front of the image of a restored and collapsed ancient building.
The brightness in the upper part of this piece is something that I have seen in many other Meshkin kilims. I don’t know if this repetition can be considered as a mere coincidence or if the weaver was the same person or if there is a concept hidden behind it that we are not aware of.
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